VERACITY IN GAMING
VERACITY IN GAMING
Donkey Kong Bananza devs spent years recording SFX in the studio - but the most difficult sound to record was the one of watermelons.
In the wake of a new Steam update, Japanese gamers on X are rethinking their habits of leaving mostly negative reviews.
AI: The Somnium Files series producer recently told AUTOMATON more about his "player-oriented" approach producing the series.
"Even I feel a strong aversion towards spending money on images that are generated with a simple click," said Blue Archive producer.
"It was like Scrabble from Hell"
Chibi-Robo director shares tidbits about the Nintendo game, including how it was inspired by the Zelda series.
Developer of Japanese indie game Öoo proposes a marketing tactic that could help boost game sales through YouTube and Twitch streams.
CyberAgent's game business made the largest contribution to their recent profit, with Umamusume as their third best-selling title.
Kadokawa’s overseas manga editorial team emphasize the necessity of broadening the talent pool of manga authors in Japan and overseas.
Ninja Gaiden 4 director shares that PlatinumGames proposed using Ninja Gaiden II as the axis for the new installment's development.
Metroid composer Hirokazu "Chip" Tanaka reminisces about the time he composed the ending theme for the 1986 game.
Koji Sugimoto, veteran programmer who worked on Final Fantasy, Xenogears and Threads of Fate comments on recent "modern" retro-game trends.