{"id":67768,"date":"2026-06-05T22:01:00","date_gmt":"2026-06-05T13:01:00","guid":{"rendered":"https:\/\/automaton-media.com\/en\/?p=67768"},"modified":"2026-06-05T17:43:24","modified_gmt":"2026-06-05T08:43:24","slug":"persona-veterans-villioncode-is-a-piece-of-entertainment-but-it-also-has-the-potential-to-change-your-life-character-designer-ilya-kuvshinov-talks-dev-process","status":"publish","type":"post","link":"https:\/\/automaton-media.com\/en\/interviews\/persona-veterans-villioncode-is-a-piece-of-entertainment-but-it-also-has-the-potential-to-change-your-life-character-designer-ilya-kuvshinov-talks-dev-process\/","title":{"rendered":"Persona veterans\u2019 new\u00a0school JRPG\u00a0Villion:Code\u00a0\u201cis\u00a0a\u00a0piece\u00a0of entertainment, but it also has the potential to change your life.\u201d\u00a0Character designer Ilya\u00a0Kuvshinov\u00a0talks about\u00a0dev process\u00a0"},"content":{"rendered":"\n

Published by Compile Heart, Villion:Code<\/strong> is just around the corner, set to launch in Japan on June 25 for Nintendo Switch 2, Nintendo Switch, PS5, and PS4 (digital-only).   <\/p>\n\n\n\n

Villion:Code<\/strong><\/a> is a school-themed JRPG set in an academy city dedicated to training individuals to save the Earth from impending extinction. The story begins when the city is suddenly sealed off from the outside world. Trapped in isolation, the students must confront strange anomalies engulfing the city and fight off people who have transformed into monstrous creatures. Amidst these dire circumstances, each character is forced to face the \u201ckarma\u201d they carry. Gameplay revolves around action-based combat, peculiar tube-shaped dungeons, and \u201cGenome Editing\u201d among other mechanics. <\/p>\n\n\n\n

Villion:Code is designed and produced by Kouji Okada, known as the co-creator of the Megami Tensei and Persona series. The scenario is penned by Tadashi Satomi, another Atlus veteran and longtime collaborator of Okada, while the soundtrack is composed by Tsukasa Masuko, also of Shin Megami Tensei fame. The character design is helmed by illustrator Ilya Kuvshinov, known for his involvement in Ghost in the Shell: SAC_2045.  <\/p>\n\n\n\n

AUTOMATON recently interviewed Okada and Kuvshinov to find out more about how they created the characters and visual identity of Villion:Code. While this part of the interview focuses more closely on Kuvshinov, you can check out part one of this interview<\/a> for our detailed talk with Okada. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Designing a character is like designing a book cover<\/strong> <\/h2>\n\n\n\n

One of the major defining characteristics of the Villion:Code cast, which reflects Kuvshinov\u2019s personal artistic preference, is a consistent use of dual-colored rim lighting across both character portraits and 3D models. Characters are typically lit with cyan on one side and magenta on the other. While this stylistic choice is meant to add visual interest too, it\u2019s not there only for aesthetics. According to Kuvshinov, the contrast of colors reflects a thematic duality inherent to humans, representing the \u201cnatural side vs the side controlled by science\u201d and \u201cdestruction vs creation.\u201d Additionally, since every character shares this visual trait regardless of gender or background, it\u2019s a way of suggesting a common \u201cDNA\u201d shared by all humans. <\/p>\n\n\n\n

Kuvshinov also made deliberate deviations from this rule. For instance, the character Phantom Lady has a much less pronounced rim lighting, which is supposed to subtly raise doubts and make you question whether or not she is human at all. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Eyes are another part of Villion:Code you\u2019re going to want to pay attention to. This is another aspect Kuvshinov was particular about, and it\u2019s what gives each character individuality beyond other physical characteristics like hair color or face shape. Rather than plain black pupils, each character\u2019s eyes reveal colors and patterns unique only to them. <\/p>\n\n\n\n

While some of the details in Villion:Code\u2019s designs might be small and inconspicuous, Kuvshinov says each decision is there to convey clues and information about the characters. \u201cWhen looking at a design, you might just think \u2018That\u2019s a picture of a character,\u2019 but in reality, you\u2019re unconsciously picking up on even the smallest design details. You might form an impression such as, \u2018This character\u2019s face is hidden by their hair, so perhaps they\u2019re a bit shy and want to hide themselves.\u2019 People tend to form a vague idea of what someone is like based on their first impression, don\u2019t they? Of course, it\u2019s not right to judge people by their appearance. For example, you can\u2019t know the entire contents of a book just by looking at the cover, but the cover\u2019s role is to convey an impression of what the book is about. When it comes to character design, I consider my job done if the character\u2019s personality is evident from their appearance. For instance, with Anastasia, you might think, \u2018This person must be a cosplayer who streams and probably has lots of followers,\u2019 or with Sushiro, \u2018This person looks strong, somewhat clever, and like someone you can rely on.\u201d <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

This same intent is reflected in details like the ear-pieces, called Manas Helix, worn by each character in Villion:Code. Kuvshinov designed these to be customized based on personality, drawing from the way people personalize their phones in real life. Even hair highlights are varied between soft, rounded shapes to sharper or droplet-like forms to differentiate characters\u2019 temperaments at a glance. <\/p>\n\n\n\n

Gene-mutated monsters and \u201chuman karma\u201d<\/strong> <\/h2>\n\n\n\n

When it comes to designing Villion:Code\u2019s monsters, the process took a lot of trial-and-error. Kuvshinov says his early prototypes were rejected on the grounds of being too cute (and the one he showed us in person was quite round and endearing too), which helped him realize that, being creatures destined to be killed in-game, the monsters had to look the part. He then proceeded to go too far in the opposite direction (he showed us a gory monster design with limb-like appendages growing out of an open skull) and got told \u201cPlease stop, this is horrifying.\u201d <\/p>\n\n\n\n

The final approach Kuvshinov ultimately went for centers on a hybrid concept: creatures formed through a fusion of human and animal DNA. Some retain recognizable human features, while others lose them entirely as mutation progresses. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

This ties directly into Villion:Code\u2019s theme of \u201chuman karma,\u201d according to producer Okada. \u201cIf I had to put it into words, I\u2019d say this work does contain Buddhist elements. While I\u2019m not setting out to discuss religion per se, I feel that such a perspective best encapsulates the concept of human karma. When we speak of karma, I think it ultimately boils down to \u2018worldly desires,\u2019 or, to put it more precisely, \u2018various forms of desire. That said, I don\u2019t believe desire is necessarily bad, and I don’t think humanity would have progressed this far without desire. But if it goes too far, things can take a strange turn. In the story of Villion:Code, too, there\u2019s a narrative where the darker side of such desires emerges, leading humans to turn into monsters.\u201d <\/p>\n\n\n\n

Looking back on his experience working on Villion:Code and experiencing it as a game, Kuvshinov comments, \u201cI believe it\u2019s a work that can be enjoyed simply as entertainment, but that it also has the potential to change lives, even if just a little. Once you\u2019ve finished playing, I think it won\u2019t just make you reflect on various things, but might also give you hope. I believe that even after the game ends, Villion:Code will help you learn to enjoy your own life outside the game. I think it will make you cherish everyday life, your heart, and the very existence of others. Please look forward to seeing what kind of story unfolds.\u201d <\/p>\n\n\n\n

This was part two of a two-part interview. In part one<\/a>, we talked to Koji Okada about the fundamental ideas behind Villion:Code\u2019s game design. <\/p>\n\n\n\n

Villion:Code<\/a> is scheduled for release on June 25, 2026 for Nintendo Switch 2, Nintendo Switch, PS5 and PS4 (digital only). <\/p>\n\n\n\n

[Interviewer: Sayoko Narita]<\/p>\n","protected":false},"excerpt":{"rendered":"

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